Calories Lean Ground Beef 3 Oz

Photo Courtesy: MGM/IMDb

From offscreen friendships and jarring pay inequality to the special effects and makeup tricks that brought some of the world'south favorite moving-picture show characters to life, The Sorcerer of Oz (1939) had so much going on behind the emerald pall and the Technicolor gloss of an amazing fantasy world.

In accolade of the 80th anniversary of the film, follow the xanthous brick slideshow to peek behind that curtain and learn more than about the secrets and fun facts that brand the beloved flick a timeless archetype.

Margaret Hamilton Was a Fan Before the Moving picture

As a self-proclaimed lifelong fan of L. Frank Baum'south Oz serial, Margaret Hamilton was thrilled to exist considered for a function in the 1939 film adaptation. Hamilton called her agent to ask which character the producers wanted her to play, and her agent famously said, "The witch — who else?"

Photo Courtesy: Publicity Photo from Goldilocks (Broadway)/Wikimedia Eatables; IMDb

Hamilton, a unmarried mother, fought MGM for an agreed upon amount of guaranteed work time. Three days before filming began, the studio agreed to a 5-week deal. In the end, Hamilton was on set for three months, but many of her scenes were cutting for being too scary for audiences.

Dorothy's Original Look Was More Pic Star Than Farm Girl

Certain, Dorothy Gale doesn't need prosthetics or aluminum makeup, just that doesn't mean Judy Garland wasn't put through the costume department wringer. Although she was immature at the time, the 16-year-quondam Garland had to wear a corset-like device and then she looked more like a preadolescent child.

Photo Courtesy: @DoYouRemember/Twitter

Director Richard Thorpe suggested Garland wear a blonde wig and loads of "baby-doll" makeup (as whatever preadolescent girl would…). Luckily, that vision of the character inverse. After MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart move.

The "Skywriting" Scene Employed Some Great Movie Magic

The Wizard of Oz employs a lot of dandy moving-picture show tricks, and some of the most unique were used in the skywriting scene. In information technology, the Wicked Witch (Margaret Hamilton) flies above the Emerald City, leaving the phrase "Surrender Dorothy" in her wake in black smoke.

Photograph Courtesy: MGM/IMDb; @WizardWasOdd/Twitter

Using a hypodermic needle, the special effects team spread black ink across the bottom of a glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting ended with the ominous "Or Die — Westward W West."

The "Snow" in the Poppy Field Was Actually Dangerous

I of the Wicked Witch's last-ditch efforts to impede Dorothy's quest to run across the Wonderful Wizard of Oz involves a poppy field and some magical sleep-inducing snow. While many similar to joke that the poppies and their drowsiness are the effect of opium (a component of poppies), the scene has a much more blatant toxic connection than that.

Photo Courtesy: @Stevodadevo2/Twitter

All that magical snow? Information technology's really 100% industrial-course chrysotile asbestos. Even though the health risks associated with the textile were known at the time, it was still Hollywood's preferred choice for false snowfall. Our communication to Dorothy? Don't catch any snowflakes on your natural language.

Scarecrow's Makeup Stuck Effectually for Awhile

In the end, Ray Bolger (Scarecrow) was probably grateful in more than ways than one for Buddy Ebsen (the original Tin Human being's) willingness to merchandise parts with him. The Tin Human being's aluminum makeup acquired a huge amount of problems for Ebsen, who was replaced by Jack Haley.

Photo Courtesy: @PeterMacNicol1/Twitter

Although Bolger's makeup experience was amend than Ebsen's, he still had some issues. The Scarecrow's makeup consisted of a rubber prosthetic, consummate with a woven blueprint that mimicked the look of burlap. Later the film wrapped, the prosthetic left patterns on Bolger's face that took more than a yr to fade.

Margaret Hamilton Was Burned On Set up

In a burst of flames and red smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, information technology may have instilled more than fear for Hamilton. On the get-go take, the fume rose from a hidden trapdoor too early.

Photograph Courtesy: Notwithstanding/TheHorrorFreak/YouTube

For the second accept, Hamilton stood on the trapdoor as planned, but her cape snagged on the platform when the fire flared up. Her copper-containing makeup heated up instantly, causing 2nd- and third-degree burns on her easily and face. To brand matters worse, the crew tried to remedy her burns with (an even more than painful) acetone solvent.

The Flying Monkeys Became Falling Monkeys

The Wicked Witch's legion of flight monkeys — or Winged Monkeys as they're called in the source textile — have certainly been a source of terror for generations. About as scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thank you to the magic of piano wires.

Photo Courtesy: @shirfire218/Twitter; @41Strange/Twitter

However, the aerial stunt went awry when several of the piano wires snapped, sending actors plummeting a few feet to the soundstage flooring. To create such a vast troupe of monkeys (and cut down on homo marionettes), filmmakers made miniature safety monkeys to help populate the sky.

"Over the Rainbow" Was Almost on the Cut Room Floor

To no one'due south surprise, the American Picture show Institute ranked "Over the Rainbow" #1 on a listing of 100 Greatest Songs in American Films. But what may surprise you lot? The (arguably) well-nigh iconic vocal of Judy Garland'south career was virtually cut from the motion picture.

Photo Courtesy: @TheJudyRoom/Twitter

Studio execs at MGM thought the song fabricated the Kansas scenes also long. Moreover, filmmakers were concerned that children wouldn't understand the song's meaning. Luckily, this unfounded business concern melted like lemon drops. Unfortunately, Garland's tearful reprise of the vocal was left on the cutting room flooring.

The Tin Man Costume Didn't Permit Jack Haley to Rest Piece of cake

Although Bert Lahr had to schlep around in a 90-pound panthera leo costume, Jack Haley didn't have information technology easy either. From the lingering concerns about the aluminum paste-based makeup on his face and hands to the minimal flexibility of the "tin" torso and arms, Haley faced some challenges.

Photo Courtesy: MGM/IMDb; @theforcedaily/Twitter

Reportedly, his costume was so stiff that he had to lean against a lath to rest properly. Many years later, player Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same issue with his rigid costume. It seems fifty-fifty fantasy and sci-fi tin't assistance folks escape all their problems.

The Original Tin Human being Was Rushed to the Hospital

Initially, Buddy Ebsen was cast equally the Scarecrow, simply traded parts with Ray Bolger. Withal, Ebsen's new graphic symbol, the Can Man, caused him a world of issues. Namely, the character'due south silver makeup contained a harmful aluminum dust that coated Ebsen's lungs.

Photo Courtesy: Pictured: Buddy Ebsen, left; Jack Haley, correct via @HollywoodComet/Twitter; @JuanFerrerVila/Twitter

To brand matters worse, Ebsen had an allergic reaction, and, unable to exhale, he was rushed to the infirmary. MGM recast the role with Jack Haley (and changed up the makeup), just didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the final moving picture, his vocals can be heard in "We're Off to See the Wizard."

A Stocking & Some Miniatures Gave U.s.a. the Tornado

The tornado that strikes the Gale homestead is full of practical special effects that really hold upwardly. The funnel itself was actually a 35-human foot long stocking made of muslin. The special effects team spun it around miniatures that resembled the farms and fields of Kansas. Confronting the painted properties, the tornado looks menacing.

Photograph Courtesy: @Dead_Ed_Lemmik/Twitter

The Gale house, which falls from the sky and into Oz, is just a miniature house that was dropped onto a sky painting. Filmmakers and so reversed the footage to make it expect like the firm was falling out of the clouds.

Hollywood Didn't Pay Up Then Either

Pay inequality has always been an issue in Hollywood. For instance, Adriana Caselotti, voice of the titular character in Walt Disney's Snowfall White and the 7 Dwarfs (1937), fabricated $970 for her performance. The picture went on to brand roughly $8 million.

Photo Courtesy: @WillHoge/Twitter; @NewYorker/Twitter

According to the Los Angeles Times, Judy Garland'south pay was better than Caselotti'south — playing Dorothy earned her $500 a week — but it withal didn't reflect the film's success. Even more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $fifty per week. (Meanwhile, Terry the dog earned $125 per week equally Toto. A real yikes.)

Bert Lahr's Lion Costume Was Taxing

Originally, MGM thought it might bandage its mascot — the bodily king of beasts used in the studio's title card — as the cowardly character. Fortunately, for the safety of the actors and the animate being, the filmmakers decided to bandage thespian Bert Lahr as the anthropomorphic character instead.

Photo Courtesy: @oldhollywood21/Twitter

To make a disarming beast, the costume department fashioned Lahr a xc-pound outfit made from real lion skin. However, the arc lights used on set fabricated things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his grapheme's nerves. Each night, two stagehands dried the costume for the next 24-hour interval.

The Initial Box Function Returns Were Uneven

The picture started shooting in Oct of 1938 but didn't wrap until March of 1939, racking up an unheard of $2,777,000 in costs. That's nearly $l million adjusted for aggrandizement. Upon its initial release, the movie only earned $iii 1000000 at the box function — about $51.viii million past today'south standards.

Photo Courtesy: @CitizenScreen/Twitter

Although that seems impressive for a Depression-era film, call up that Disney made $8 million with Snow White and the Vii Dwarfs (1937). The Wizard of Oz'south modest success in the U.S. barely covered production and film rights' costs — MGM paid $75,000 to the publisher for those — but success overseas fortunately bolstered the motion-picture show's returns.

The Dark Side of Oz in a Time Before "Me Too"

Judy Garland was only sixteen years old when she was cast as Dorothy. Insecure and lonesome, she became addicted to amphetamines and barbiturates, which were often given to young actors to help them slumber after studios shot them up with adrenaline so they could work long hours.

Photo Courtesy: @ClassicMovieHub/Twitter

The spotlight — and her dissentious contract with MGM — didn't aid, leading to her lifelong struggles with an eating disorder and alcoholism. Co-ordinate to a writer for Express, "[Garland] was molested by older men, including studio chiefs [and head Louis B. Mayer], who considered her little more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy nutrition of cigarettes, coffee and chicken soup.

The Voice of Snowfall White Had a Cameo

A few years before The Wizard of Oz debuted, Walt Disney'south feature-length blithe film Snow White and the Seven Dwarfs (1937) became a smash-striking. Not but did the picture revolutionize the animation industry, information technology likewise reinvigorated the fantasy genre.

Photo Courtesy: @commondsneyfan/Twitter

Disney wanted to follow up Snow White — so the virtually successful film of all time — with an adaptation of The Wizard of Oz, but MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited role in Oz. During the Tin Human'southward "If I Just Had a Heart," Caselotti speaks her sole line, "Wherefore art thou Romeo?"

The Cherry Slippers Are Props & Treasured Artifacts

Keeping in line with the book, Dorothy'due south iconic footwear was originally silverish, but screenwriter Noel Langley felt the blood-red color would really pop in glorious Technicolor. Designed by MGM's principal costume designer Gilbert Adrian, the shoes are each covered in about ii,300 sequins.

Photograph Courtesy: Summit correct: @Billboard/Twitter; Others: @FBI/Twitter

One of the remaining pairs is on view in the Smithsonian Institution's National Museum of American History. Since the display is so heavily trafficked, the museum has replaced the rug in that location several times. Another pair were stolen from Minnesota'due south Judy Garland Museum in 2005, but the FBI recovered the slippers for the institution in 2018.

Simply One Sequence Was Filmed "On Location"

The Sorcerer of Oz is your archetype adventure story, and Dorothy's quest leads her from a Kansas farm to some other world — complete with corn fields, poppy-filled meadows and forests. Yet, despite all these scenic locations, nearly all the scenes were shot on a soundstage.

Photo Courtesy: @IEBAcom/Twitter; Pictured: This was the 400-pound, three-strip Technicolor photographic camera Harold Rosson used on the film.

As was customary at the time, immense, detailed backdrops were painted by studio artists, making it possible for filmmakers to transport audiences to far abroad places without filming on location. In fact, the only location footage in the flick is the opening title sequence — those clouds are 100% the existent deal.

A Second Toto Was Brought In

Toto, played primarily by Terry, is ane of the about beloved dogs in picture history. Terry was famously not a huge fan of special furnishings and can often be seen running out of a shot when something loud or alarming happens — like when the Tin Human being spouts out all of that steam.

Photo Courtesy: @FOSplc/Twitter

After one of the Witch'due south guards accidentally stepped on her, Terry was on bedrest for 2 weeks. Filmmakers went through ii doubles to detect one that resembled the original canine actor more closely.

Fun fact: Judy Garland was so addicted of Terry that she wanted to adopt the dog.

Margaret Hamilton "Mourns the Wicked" Witch

In addition to being a huge fan of the Oz books, Margaret Hamilton also believed her character was more than than merely your run-of-the-mill evil villain. More than 35 years after the film debuted, Hamilton, donning her Witch's costume to show kids it was make-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her most the grapheme.

Photo Courtesy: Warner Dwelling Video/IMDb; @playbill/Twitter

According to Hamilton, the so-called Wicked Witch relished everything she did, merely she was also a sad, alone figure. In brusk, things never went well for the frustrated Witch. Oddly plenty, the Broadway musical Wicked also takes this approach to the Witch'due south grapheme.

The "Horse of a Unlike Color" Was Made Possible Cheers to a Nutrient Product

In 1939, audiences were merely every bit amazed as Dorothy, Scarecrow, Tin Man and the Cowardly King of beasts when the equus caballus in Emerald City took on a rainbow of colors. This "equus caballus of a unlike color" was made possible cheers to a surprising nutrient detail…

Photograph Courtesy: @colleenkingd/Twitter

Jell-O crystals were used to colour the horses, which meant filmmakers had to move quickly — the animals were eager to lick up the sweet treat. But the colorful steed isn't the only interesting component in this fan-favorite scene. The horse-drawn carriage was one time owned by President Abraham Lincoln and now resides at the Judy Garland Museum.

The Makeup Department Hired on Extra Easily

From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, so many actors had to undergo a makeup transformation in order to give life to this fantasy motion picture. To keep up with the daily demands, MGM called upon workers from the studio mailroom and courier service to manage makeup stations.

Photo Courtesy: @CitizenScreen/Twitter

Since nearly of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming associates line. Most actors had to arrive before 5:00 in the morning — half dozen days a week! — to begin the intensive process.

Memorable (& Often Misquoted) Lines Fill the Picture

The moving-picture show is chock-full of iconic, memorable songs, and information technology has the corking fortune of being responsible for some of the nearly quoted lines in moving-picture show history as well. In 2007, Premiere compiled a list of "The 100 Greatest Moving-picture show Lines" and placed a whopping three of the film's lines on the list.

Photo Courtesy: @DrSamGeorge1/Twitter

"Pay no attending to that man behind the drape" was voted #24, while "There's no identify like home" nabbed the 11th spot. Finally, the ofttimes misquoted "Toto, I accept a feeling we're not in Kansas anymore" landed in the 62nd spot.

The Witch'southward Burn down Employed Some Technical Wizardry (& Juice)

Clearly, the technical wizardry — or witchcraft — in the motion-picture show is incredible. Like the "horse of a different color" sequence, another iconic, special effects-heavy scene harnessed the ability of everyday household items to pull off fun tricks.

Photo Courtesy: Warner Habitation Video/IMDb

Before long afterward Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the cherry-red slippers from the young girl's anxiety. However, fire strikes the Witch's hands, repelling her. This "burn down" is really apple juice spouting from the slippers in a sped-up clip to make information technology wait more flame-like.

Technicolor Required Some Ingenuity in the Props Department

Experimenting with Technicolor was part fun and part problem-solving for filmmakers. In order to properly capture scenes with the Technicolor photographic camera, the soundstage needed to be lit with arc lights, which often heated the set up to a toasty 100 degrees.

Photo Courtesy: @NicoleBonnet1/Twitter

Afterwards the lights were prepare, the experts experimented with what would look all-time on film, especially in colorized form. For example, the white part of Dorothy'due south dress is actually pink — simply because information technology filmed amend. And the oil the Tin Man is then excited about? Information technology'due south actually chocolate syrup.

The Wicked Witch of the E Makes More Than One Appearance

Part of the Wicked Witch of the West's beef with Dorothy is that the young girl dropped a house on her sister, the Wicked Witch of the E, who was the short-lived possessor of the reddish slippers. Although Margaret Hamilton already plays both the Wicked Witch of the Westward and her Kansas analogue Almira Gulch, she also plays the Wicked Witch of the East — if only briefly.

Photograph Courtesy: MGM/IMDb; @DrSamGeorge1/Twitter

During the tornado sequence, an addled Dorothy looks out her chamber window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the cherry slippers. The restored version of the movie makes that shimmer fifty-fifty more than noticeable.

The Picture show's Running Time Was Cut Down Several Times

The first cut of the moving-picture show clocked in at a running time of 120 minutes. Although that seems similar nil by today's Curiosity movie standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off twenty minutes.

Photo Courtesy: Pictured, left: Blanche Sewell, editor via @NitrateDiva/Twitter; ToonCreator/OzFandomWiki/Wiki Commons

After cut the famed "Jitterbug" number (top right) and an extended Scarecrow trip the light fantastic sequence, the moving-picture show was 112 minutes long. LeRoy held a second preview screening, and, afterwards, nixed Dorothy's "Over the Rainbow" reprise, an Emerald Urban center reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a human being beehive (Yikes!) and a few Kansas sequences.

So Much for a "Wicked" Witch

Filmmakers accounted Margaret Hamilton's Wicked Witch of the West performance too frightening for audiences and cutting or trimmed many of her scenes. Simply non everyone idea her functioning was terrifying — namely Judy Garland, who played the Wicked Witch'southward nemesis, Dorothy Gale.

Photo Courtesy: @WizardWasOdd/Twitter

Off-screen, the film's starring foes were actually friends. One story that emerged from the set up described Garland excitedly showing off a dress to Hamilton, declaring she was going to wear it for her graduation. Unfortunately, MGM's Louis B. Mayer sent Garland on a press tour the day of her graduation. Upset, Hamilton phoned Mayer and chewed him out.

Giving Credit to Technicolor

In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more than apt "Color Sequences past Technicolor." The phrasing of the credits makes it seem as though the entire film was shot in colour. Was this done deliberately, or was it a minor syntactical faux pas?

Photo Courtesy: @screenertv/Twitter

Information technology'south widely believed this was a chip of a stunt washed to enhance the surprise of the picture turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters made at the time of the moving-picture show's debut fabricated no mention of sepia tint (or "black-and-white"), calculation credence to this theory.

One of History's Nearly-Watched Films

Although The Wizard of Oz proved popular in theaters, another motion-picture show released the aforementioned yr, too directed by Victor Fleming, actually topped the box office. (You may take heard of that little movie — it's called Gone with the Wind.) Notwithstanding, MGM's musical fantasy may accept more staying power than other films of the era, thanks in part to re-releases.

Photograph Courtesy: @ClassicalCinema/Twitter

The film was outset broadcast on television on Nov 3, 1956, and garnered an impressive 44 million viewers. It'southward believed that The Sorcerer of Oz is one of the 10 most-watched characteristic-length movies in film history, largely due to the number of annual television screenings, theater viewings and various format re-releases.

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Source: https://www.ask.com/tvmovies/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex

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